Dance Informa Magazine
Interviews
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31Travis Lim: Finding artistry through higher education
Everyone’s dance journey comes with a uniqueness that sets them apart from their peers. For some, it was passed down from a...
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252Limón Dance Company to showcase lost work and honor women at The Joyce Theater
José Limón, the founder of Limón Dance Company, once said, “We believe that we are never more truly and profoundly human than...
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23942nd Street Tours: Studio owners chat the benefits of a tour
From the earliest years of doing creative movement to taking the leap into dancing competitively, there is a spirit of enrichment involved....
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163Bringing experience into expression: Remi Wörtmeyer becomes Artistic Director of BalletMet
After a significant career as a principal dancer with The Australian Ballet and Dutch National Ballet, presenting in other mediums such as...
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194Moving in, moving on up: Amanda Selwyn Dance Theatre/Notes in Motion’s new Tribeca studio space
From cost to scheduling to storage, getting suitable studio space can be a true headache for dance companies that don’t own their...
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170Evergreen City Ballet steps into a new era with Artistic Director Maximiliano Guerra
Evergreen City Ballet of Renton, Washington, has been a beacon of ballet excellence for three decades, building a robust foundation rooted in...
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145Sharing the dance of life: Joanne De Simone’s ‘Fall and Recovery’
Joanne De Simone had quite a full plate working as a special educator and caring for two disabled sons. She didn’t think...
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180Potential, tenacity and composure: Your guide to success when auditioning for The Royal Ballet School in London
Every year, dancers from all over the world dream of successfully auditioning and attending The Royal Ballet School in London, following in...
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875Jesse Obremski and Obremski/Works: Advocating AAPI representation
Jesse Obremski, a Japanese-American dance artist and choreographer based in New York City, is driven by the “why,” by community, and the...
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328Karen Kain and Neve Campbell in ‘Swan Song’: A classic with modern day sensibilities
The magic of ballet is the effortless way it appears onstage. Watching a performance onstage can take the audience to a mystical...
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221It’s wonderful work: A talk with Rickey Tripp on ‘A Wonderful World’ and beyond
Rickey Tripp didn’t make it to the Great White Way after being a trophy-touting competition kid or studio darling; “I would watch...
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356Gina Gibney and Gilbert T Small II talk Gibney Company: Infusing humanity
In the city of New York, every dancer knows the name Gibney. A studio with two locations, a professional contemporary company and...
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396Claire Kretzschmar on creating new full-length ballet ‘Raffaella’
When tragedy strikes, it’s human nature to try to make sense of it all and engage in things that foster healing for...
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465Tony Waag’s newest achievement – The Lifetime Achievement Award
From the smallest beginnings, we can never truly know what is in store for the future. For dancers and artists alike, there...
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514Kevin O’Hare brings The Royal Ballet to the 2024 Jacob’s Pillow Dance Festival
“It’s the granddaddy of dance festivals,” says Kevin O’Hare, speaking of the Jacob’s Pillow Dance Festival. The Royal Ballet Artistic Director waxes...
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309Emma Von Enck promoted to principal dancer at NYCB
New York City Ballet (NYCB) has promoted Emma Von Enck to Principal Dancer. The promotion was made on May 16, by NYCB...
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303Dancing in a second company but not feeling like a runner-up: DCDC2’s Fara Ling Shu Sean
The word “second” can have negative connotations – not first, not the best, runner-up, almost there. But it can also mean being...
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436Final bow ahead, decades of memories behind: A talk with Paul Taylor Dance Company’s Christina Lynch Markham
It might be the cliché of all clichés, but it really can be about the friends we make along the way. That...
